Press

For press opportunities and media enquiries please email general@wickedgoodproductions.au.

Review: Barefoot review - Dead man’s cell phone

“The elements of discovery and surprise, the transposition of time and place, and the mix of the seemingly normal and something besides that are in the script have been amplified by terrifically disconcerting performances.”

Review: GlamAdelaide - Dead man’s cell phone

“A thought provoking and heart-warming look into how we connect with people - a wonderful lighthearted night at the theatre.”

REview: Theatre Travels - After All This

“This collective skill from the on and off-stage creatives ensured- from the first moments to the final black out- that the audience were actively engaged and indeed searching for clues and perhaps answers to what happens ‘After All This’.”

REview:EventaLAIDE - After All This

“If you like to ask the big questions, or enjoy a light hearted existential inquiry presented in an engaging and curious way, or are curious about cults, this show is for you.”

REview: Barefoot Review - After All This

“This is the point at which After All This resolves into an endless experiential conundrum. Nothing offered up is neutral. Comprehendible, consistent, but always pushing towards a favoured position dependent on personal reaction.”

The best theatre at Melbourne Fringe this year 2022

“If you're interested in a surreal piece of storytelling, contrasting the backdrop of a suburban milieu with the future telling of the world ending around us, then this one is for you.”

REview: ArtsHub - Grief Lightning

“An unnerving mash-up of ominous biblical references and Grease lyrics, esoteric incantation and teenage angst, these speeches are equal parts eerie, poetic, and funny.”

Carclew announces OVER $205,000 IN FUNDING AND EXPANDS ANNUAL SHAREHOUSE PROGRAM

Caitlin Ellen Moore: will deliver a mini-festival where participants are invited to develop creative responses to provocations and prompts in a time-restricted setting.

REview: Stage wHISPERS - Grief Lightning

“Every now and again, a show tumbles out of Adelaide Fringe as the start of something much, much bigger. This is one of those shows.”

Review: InReview - Dead man’s cell phone

“…exemplify the exceptional ability of emerging independent theatre-makers. Adelaide theatre-goers should look beyond and beneath the mainstage; hidden gems are found in all venues.”

REview: on The Record - After All This

“After attending this performance, you are likely to leave with more questions than answers. But don’t worry; that’s the point.”

REview: GLAM aDELAIDE - After All This

“…an unashamedly quirky, memorable production designed to resonate, incite questions and ignite argument. Hooray for theatre that does this!”

REview: GlamAdelaide - Grief Lightning

“Part stand-up, part theatre, 100% hilarious and wholly inventive, Grief Lightning will have you questioning everything you thought you knew about the iconic musical Grease.”

Review: The Advertiser - YOU’RE ALL INVITED TO MY SON SAMUEL’S FOURTH BIRTHDAY PARTY

“With such creative people on the planet be assured the world isn’t ending anytime soon.”

InDAily: In arts funding, one size does not fit all

“It’s one of the very few residencies where you have time to develop your work… it’s rare for that to be funded in the arts scene,” says Moore.

REview: On The Record - Grief Lightning

“Paper Mouth Theatre & Wickedly Good Productions present an energetic hybrid of theatre and stand-up comedy in the most passionate lecture you’ll ever attend.”

CityMag: Five Adelaide Fringe shows to see this weekend

“Although this journalist has never seen the film Grease (don’t hate me) the description of this clever performance by comedian Mary Angley does incorporate something we know and love – technology. Using trusty Microsoft PowerPoint to explain plot holes and Reddit fan theories of the seminal piece of cinema, we’ll get an education we’ve sorely missed out on.”

Interview: InDaily - What would happen if you answered a dead man’s phone?

“The audience will find there’s a lot of moments where what they’re seeing in front of them is not what they expected but absolutely makes sense in the moment.”

REview: Stage Whispers - After All This

“You will be pondering the questions asked and the answers given, contemplating your own views on motivation, faith, and dogma; you’ll be asking yourself ‘why?’. And you’ll still be meditating on this as you sit on the bus the next morning.”

REview: The ClothesLine - After All This

“…ruminates on ideas that are often the territory of religious thought – life after death, the concept of there being chosen ones among us, what it means to be good, and the appeal of nothingness, all examined from different perspectives.

REview: On Dit Magazine - Grief Lightning

“Whether Grease was a coma fantasy or not, I know that the canon needs to be challenged. Grief Lightning does just that.”

Review: Stage whispers - YOU’RE ALL INVITED TO MY SON SAMUEL’S FOURTH BIRTHDAY PARTY

“It’s catastrophe comedy that leaves you breathless, thoughtful, and craving fairy bread.”

Adelaide Festival Centre: InSpace Bumbling

It's 2022. The seas are rising, the bees are vanishing, and you're worried we'll be next. Welcome to the end of the world. Pop on your heels and come dance.

Review: InReview - Grief Lightning

“Mary Angley is supreme in this work of surreal fan fiction, conspiracy theories, biting satire and powerpoint. ★★★★ ½”

InReview’s Festival Season Picks

“Fringe shows that appear to be reverse-engineered from an excellent pun title are an under-recognised part of the arts ecosystem. Whatever its origins, the premise of this satirical lecture in which theatre-maker Mary Angley dissects a wild fan theory about the 1978 film Grease – itself a deceptively complex, and very catchy, text – gives me chills that are multiplying.”